On a recent afternoon at 鈥檚 studio and school in Chesterfield, dancers were dotted along the hallways, finding corners in which to stretch and loosen up. They wore masks to protect each other from the coronavirus.
It wasn鈥檛 the crowded scene that would have filled this space before the pandemic, but it was a sign of life following months of dormancy.
Some performing artists, from those in theater companies to St. Louis Symphony Orchestra, have found ways to work during the pandemic. Yet dance, with its call for extended, close contact among performers, is particularly tricky in a time of social distancing. , St. Louis Ballet鈥檚 executive and artistic director, composed a piece to fit the times.
鈥淭his is Who We Are鈥� features solo dances, short ensemble sequences and three duets, or pas de deux. Horiuchi designed it to be performed and rehearsed with virus safety protocols firmly in place.
Viewers can , recorded last weekend at Touhill Performing Arts Center, online Saturday through Tuesday.
A season interrupted
The troupe was rehearsing for a planned April production of 鈥淪wan Lake,鈥� a key piece of Horiuchi鈥檚 20th season leading St. Louis Ballet, when the pandemic struck.
The company paid its 19 dancers as if the production had gone forward, but limits on public gatherings and an emphasis on social distancing meant that many dancers鈥� offseason lines of income were interrupted.
For , who usually teaches dance during St. Louis Ballet鈥檚 offseason, it was the beginning of a long period of not being able to work. 鈥淚t was a lot of staying at home, trying to stay in shape and just kind of waiting it out,鈥� he said.
Staying in shape isn鈥檛 so easy when ballet studios are closed, so Burke pushed his bed into the dining room of his new apartment and made the old bedroom a makeshift studio.
Fellow company member also looked for ways to keep up with her dance steps at home. 鈥淏allet and carpet is not fun. I do not recommend,鈥� she said.
Fortunately for her, she was already moving into a new apartment with the suddenly crucial amenity of hardwood floors. She laid down some vinyl dance flooring, and a makeshift studio was born. With no idea when St. Louis Ballet would perform again, she picked up a side job testing recipes for her mom鈥檚 gluten-free bakery.
鈥淭his is what we do鈥�
Horiuchi stayed in touch with his dancers, leading weekly workouts via Zoom beginning in June. He also watched how ballet companies across the country grappled with providing some sort of content to their audiences during a pandemic, including video streams of past productions.
鈥淭hey鈥檙e showing productions, performances from the past. But I鈥檓 so tired of watching their old performances,鈥� he said, 鈥渙r performing outside with the street shoes. So I wanted to do something new, something at the theater. Ballet performance.鈥�
Horiuchi devised a way to use his full company without having too many dancers in the rehearsal studio or on the performance stage at the same time.
鈥溾�� is about 50 minutes long. It鈥檚 divided into three parts, each a series of solo dances culminating in a short ensemble section with dancers spaced out. Each section has one pas de deux. The piece is set to several of J.S. Bach鈥檚 solo piano pieces known as the French Suites.
Dancers perform on a bare stage against a black background. Horiuchi said the piece emphasizes the fundamentals of dance.
鈥淭his is what we do. We are individually a dancer,鈥� he said, 鈥渁nd we train ourselves to perform. So hopefully viewers can see individual dancers鈥� strength, their uniqueness.鈥�
To allow the dancers to work in close proximity safely, Horiuchi assigned two of the duets to pairs of dancers who lived together. For the third, he asked Burke and Cornett to form a pandemic bubble so that they could forgo social distancing.
The two dancers sat down with Burke鈥檚 fiance to hammer out safety protocols that would let Burke and Cornette dance together while protecting against the virus.
鈥淭hat was a really interesting dynamic. The three of us sat down,鈥� Burke said, 鈥渂efore any of the rehearsal process started, just to kind of make sure everything was OK.鈥�
They landed on many common precautions: avoiding indoor dining, only socializing outdoors and passing on a return to their gyms. When Burke鈥檚 family visited from out of town recently, he declined his father鈥檚 offer of a hug.
Socially distanced rehearsals for a socially distanced show
Rehearsals began in early October. In the past, upward of 20 people would typically be present for a day鈥檚 warmups and rehearsal. The new safety protocols made for a different scene.
During a rehearsal last week, Horiuchi sat in a far corner of the studio as dancers came in, one by one, to rehearse their solos and duets. Five or six dancers stood in the hallway outside, trying to stay loose, watching through a window and waiting for their turns.
Rehearsal director gave the dancers notes on their work, from a distance. Horiuchi did the same, counseling Cornett and Burke on their duet but not stepping in to demonstrate as he would have pre-pandemic.
After one group of seven dancers had rehearsed for about an hour, they left the building as another group arrived.
Dancer finished her rehearsal day and said the process has been a bit awkward, but still was a big relief. 鈥淚t was great 鈥� after so long, being able to come into an actual studio and do class, rehearse, do what we do,鈥� Shackleford said.
Still, some performers found it awkward to transition from the everyday isolation of pandemic life to rehearsing up close with a dance partner. 鈥淲ith everything about the pandemic, every touch, you鈥檙e just more aware of how close you are with this person as you鈥檙e dancing,鈥� Cornett said. 鈥淓very interaction has been heightened.鈥�
Troupe members kept their masks on until it was their turn to step onstage for the filming of the production; there were individual spots for them to put them down backstage.
Burke said the mask didn鈥檛 curtail his moves at all, but it did dampen one form of communication.
鈥淚t鈥檚 very different seeing everybody dancing with their masks. Because so much of the emotion we are trying to portray comes from our face. And so being able to see people just from the eyes, trying to portray that, is very interesting,鈥� Burke said. 鈥淪o that鈥檚 always a reminder of: Yup, still in a pandemic.鈥�
Follow Jeremy on Twitter:
![Online streaming is not a simple solution for theater makers devoted to the community formed by people gathered for an event in the same place. Metro Theater Company is experimenting with ways to make it work. [5/27/20]](https://npr.brightspotcdn.com/dims4/default/dabc577/2147483647/strip/true/crop/3000x1985+0+8/resize/260x172!/format/webp/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fkwmu%2Ffiles%2F202005%2F052720_Metro_JDG_02.jpg)