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Opera Theatre St. Louis is launching two initiatives to boost the presence of underrepresented voices in the predominantly white world of professional opera.

It will commission works by composers who identify as Black, Indigenous and people of color with the Voices Fund. The fund is seeded by $725,000 that was reallocated by donors to the company鈥檚 now-canceled annual gala.

鈥淲e鈥檙e talking about commissioning composers of color, commissioning women, commissioning voices that need to be heard,鈥� General Director Andrew Jorgensen said.

The first public event bankrolled by the Voices Fund will be a Nov. 16 concert called 鈥淪ongs for St. Louis: A Concert in the Commons.鈥� It will be broadcast by the Nine Network and feature three participants in Opera Theatre鈥檚 Gerdine Young Artist program: Christopher Humbert Jr., Ganson Salmon and St. Louis native Angel Riley.

Opera Theatre of St. Louis

A fellowship program also will provide training and behind-the-scenes experience for early-career arts administrators from underrepresented communities.

Opera Theatre鈥檚 senior leaders, Jorgensen and Artistic Director James Robinson, are white men.

鈥淥ur administrative staff is almost entirely white. I鈥檓 tremendously proud of the staff that we have 鈥� but there鈥檚 work that we have to do,鈥� he said.

The training program, dubbed the Clayco Future Leaders Fellowship, will place participants in one of three areas of Opera Theatre鈥檚 operations: artistic administration, development or general administration. The first group of three fellows will work from January through July. The fellowship will expand to 10 months for future cohorts.

鈥淭here鈥檚 lots of reasons for the way we look,鈥� Jorgensen said of the predominance of white professionals at Opera Theatre and in the industry at large. 鈥淭he way we craft applications, the way we talk about these opportunities, the different experiences that people would have had to have 鈥� and a general sense of inclusion, that people perhaps feel these aren鈥檛 always careers and opportunities that are for them.鈥�

Artists of color are historically . Metropolitan Opera in New York, which has been closed due to the coronavirus pandemic, announced plans last week to reopen in September 2021 with the first opera by a Black composer ever on its stage: 鈥�.鈥� Jazz artist Terence Blanchard composed the work, an adaptation of the memoir by New York Times columnist Charles Blow, who is Black.

Opera Theatre of St. Louis gave the show its debut production last year.

Blanchard said then that it was important to create roles designed for Black artists and to tell stories rooted in the African American experience on the lyric stage.

鈥淵ou start to realize, 'OK, it鈥檚 our turn.' It鈥檚 our turn to expand this experience for a lot of people,鈥� Blanchard said.

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